Though best known as one of the preeminent pop singers of our time,
Barbra Streisand made a powerful statement in the classical music realm
when she recorded Classical Barbra in 1973. Originally released in
1976, the album gained Streisand a raft of admirers in the classical
music world. Glenn Gould called her voice "one of the natural wonders of
the age, an instrument of infinite diversity and timbral resource."
Classical Barbra was one of the first and is still one of the greatest
records in the category we know today as “classical crossover” and is
available February 5th, 2013 from Sony Masterworks.
Of the reissue, Ms. Streisand says, “I have always had a special
affection for Classical Barbra. I loved the process of developing and
making the recording, and I was gratified by the success it had when it
was originally released and, what a thrill it was to receive a Grammy
nomination in the Classical division...Now it is back in a new expanded
edition, beautifully remastered and sounding better than it has since
the LP release. I’m also pleased that we could include two bonus tracks
that have never before been available. They remind me again how
rewarding this whole project was."
Fifteen-time Grammy-winning producer Steven Epstein has remastered
the original recording for this new release, the first reissue of the
now-classic album since it became available on CD a quarter of a century
ago. In addition to the original 10 songs, it now includes two
previously unreleased bonus tracks recorded during the original
sessions. Both new tracks are two songs composed by Franz Schubert –
“An Sylvia” and “Auf dem wasser zu singen” – which offer the unique
opportunity to hear Streisand’s amazing voice with a piano as its only
accompaniment.
Comprised of art songs and arias by a range of European composers,
from George Frideric Handel and Robert Schumann to Claude Debussy and
Gabriel Fauré, Classical Barbra rose to No. 46 on the Billboard Top 200
chart in 1976 and is certified gold in the U.S. Accompanied by the
Columbia Symphony Orchestra conducted by Claus Ogerman, Streisand sings
in English, French, German, Italian, Latin, and (in Joseph Canteloube's
"Brezairola") in a European provincial dialect called Occitan. Other
gems include Fauré's Pavane, songs that include Debussy's "Beau Soir"
and Robert Schumann's "Mondnacht," as well as the arias "Lascia ch'io
pianga" from Händel's opera Rinaldo, and "In Trutina" from Carl Orff's
Carmina Burana.
In the original liner notes Leonard Bernstein wrote, "Barbra
Streisand's natural ability to make music takes her over to the
classical field with extraordinary ease. It's clear that she loves
these songs. In her sensitive, straightforward and enormously appealing
performance, she has given us a very special musical experience."
More recently, New York Times classical music critic Anthony Tommasini said of Streisand that "her
ability to shape a phrase with velvety legato and find the right
expressive coloring for each note and each word is the epitome of
cultured vocalism."
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